Beyond borders moon village1/7/2024 ![]() He’s after how much our soldiers suffer for us, sacrifice for us. Major Ravi isn’t interested in how the war was won. The war scenes are nicely shot by Sujith Vaassudev, but – unlike The Ghazi Attack –there’s no suspense, no strategy. This performance is not a patch on Mohanlal’s delightful turn in Munthirivallikal Thalirkkumbol, a few months ago, but keeping a straight face while delivering these lines is its own kind of talent. They are Indians.” “No one can achieve anything through wars.” That sort of thing. “People living here are not Hindus or Muslims. “Because he killed one of us,” comes the reply. It’s the kind of movie where the Indian PoWs at the Pakistani camp are treated like animals, while when an Indian soldier begins to abuse a Pakistani PoW, Sahadevan asks why. It’s the kind of movie where the minute a character is softened – through the mention of a fiancée back in the village, say, who writes long letters that bleed onto the envelope, right up to the gummy parts – you know he’s going to die. They’re all saints.ġ971 is based on real-life war narratives, but the writing is painfully simplistic. ![]() No such shades are found in the Indian contingent. Raja, nicely played by Arunoday Singh) who’d rather not fight but understand that they have a job to do. And as with the Kauravas, there are really evil men and moderates (like Col. There’s even an episode – set in the deserts at the Indo-Pak border – where a tank named Karna gets stuck in the sand. It says Indians and Pakistanis are part of the same family, like the Kauravas and Pandavas. 1971: Beyond Borders is fashioned after the Mahabharata. (An old man remembering the past doesn’t kick as much ass as a soldier saving the day.) Also, this stretch hints at the Indo-Pak thread that will unspool through the rest of the movie. After all, when Mahadevan plays no further part in the rest of the film, why waste time on a scene with him at the beginning?īecause this way, we get an action sequence featuring a big star. The story – around events during the 1971 war that resulted in the formation of Bangladesh – unfolds as Sahadevan’s memory, which makes us wonder why that initial scene with Mahadevan was needed. Mahadevan, now part of the UN peacekeeping force, saves a Pakistani soldier’s life – and guess what! This soldier’s father once fought Mahadevan’s father, Sahadevan (Mohanlal again, in old-age makeup). The latest instalment in Major Ravi’s series following the exploits of army-man Mahadevan – played by Mohanlal, who’s sometimes a Colonel, sometimes a Major – begins with an action sequence in Georgia.
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